The Hanley Park Horticultural Fete of 1897

Yesterday morning was spent at the City Archives in Stoke-on-Trent Central library doing some research on the history of the Hanley Park. The archive system itself is fascinating. The database from which you search for your required information is a chest of long thin alphabetised wooden drawers, each full of cards of paper that you flick through to find the reference of the book/cutting/microfilm/map/pamphlet that you want. You fill out a paper slip with the relevant details, and then give it to staff member who then brings you the corresponding article.

One of the articles I wanted to look at was from the Staffordshire Advertiser about a two day Horticultural Fete in Hanley park in 1897. The article was on a microfilm to be viewed on this reader...

The Hanley Park Horticultural Fete in July, 1897 sounds like a dreamland. Four large tents housed flower and vegetables displays and competitions including: orchids, hydrangeas, begonias, caladiums, ferns, lillies, roses, geraniums, bamboos, carnations, palms, cacti, gloxinias, table decoration displays and cut flowers including sweet peas, stocks, sweetwilliams, gallardias, strawberries, cherries, nectarines, melons, delphiniums, bees, honey, grapes, greenhouse plants, caladiums, fuchsias, pansies, gloxinias, carrots, potatoes, french beans, cucumbers, peas, cauliflowers, spring onions, onions, tomatoes, hanging baskets, bouquets and button holes.

There were luncheons, children's competitions (for which so many prizes had been donated that almost everyone received a prize), practical lectures on bee keeping, pottery demonstrations, pipers, the Hanley Town Band, dancing on the tennis lawn, carousels, acrobats and high wire performers who rode a bicycle along a wire 50ft off the ground. A Mrs Maude Brooks went up in a hot air balloon and parachuted down a few miles away.

"In the evening the grounds were illuminated with many thousand coloured lights and lanterns, and the effect was very pretty, particularly in the lower part of the neighbourhood of the lake. When it was dark, Messrs. Pain and Sons of Liverpool and London commenced a grand display of fireworks, which lasted for nearly tow hours. "

20,000 people were in the park on the first day, and almost as many on the second.

Imagine this happening today? It's easy go get lost in reading about magical days such as this in the park, but I don't want to lose sight of what's actually going on today. Looking at the past and days such as this, however, can provide great inspiration for things that could happen in the future.

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In the cinema the image we see on the screen has also passed through the stage of a written text, has then been "visualized" in the mind of the director, then physically reconstructed on the set, and finally fixed in the frames of the film itself. A film is therefore the outcome of a succession of phases, both material and otherwise, in the course of which the images acquire form. During this process, the "mental cinema" of the imagination has a function no less important than that of the actual creation of the sequences as they will be recorded y the camera and then put together on the moviola. This mental cinema is always at work in each one of us, and it always has been, even before the invention of the cinema. Nor does it ever stop projecting images before our mind's eye.

...What will be the future of the individual imagination in what is usually called the "civilization of the image"? Will the power of evoking images of things that are not there continue to develop in a human race increasingly inundated by a flood of prefabricated images? At one time the visual memory of an individual was limited to the heritage of his direct experiences and to a restricted repertory of image reflected in culture. The possibility of giving form to personal myths arose from the way in which the fragments of this memory came together in unexpected and evocative combinations. We are bombarded today by such a quantity of images that we can no longer distinguish direct experience from what we have seen for a few second on television. The memory is littered with bits and pieces of images, like a rubbish dump, and it is more and more unlikely that any one form among so many will succeed in standing out.

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